Prelude:
SEVEN
AGES OF MAN
All the
world's a stage,
And all the
men and women merely players;
They have
their exits and their entrances,
And one man in
his time plays many parts,
His acts being
seven ages. At first, the infant,
Mewling and
puking in the nurse's arms.
Then the
whining schoolboy, with his satchel
And shining
morning face, creeping like snail
Unwillingly to
school. And then the lover,
Sighing like
furnace, with a woeful ballad
Made to his
mistress' eyebrow. Then a soldier,
Full of
strange oaths and bearded like the pard,
Jealous in
honor, sudden and quick in quarrel,
Seeking the
bubble reputation
Even in the
cannon's mouth. And then the justice,
In fair round
belly with good capon lined,
With eyes
severe and beard of formal cut,
Full of wise
saws and modern instances;
And so he
plays his part. The sixth age shifts
Into the lean
and slippered pantaloon,
With
spectacles on nose and pouch on side;
His youthful
hose, well saved, a world too wide
For his shrunk
shank, and his big manly voice,
Turning again
toward childish treble, pipes
And whistles
in his sound. Last scene of all,
That ends this
strange eventful history,
Is second
childishness and mere oblivion,
Sans teeth,
sans eyes, sans taste, sans everything.
Monologue from William Shakespeare's As You Like It, spoken by the melancholy
Jaques in Act II Scene VII.
He died aged
52 following a drinking binge, but he got no further than his destination, a
tombstone in Holy Trinity Church, Stratford-on-Avon, which sums up the
short-sightedness of his life’s achievements.
Good friend, for Jesus' sake forebeare
To digg the dust enclosed heare;
Bleste be the man that spares thes stones,
And curst be he that moves my bones.
And curst be he that moves my bones.
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